Murmurs around the fire

[ circumambulation – géranos ]

A few weeks ago I was in the Hospicio Cabañas in Guadalajara. The murals in the main chapel are by José Clemente Orozco. In the central dome is suspended a man in flames, some say he descends, I feel he ascends in a furious spiral. 

The midday sun was a hungry axe, the stones exhaled volcanic vapors. I was lost, dazzled, dizzy, and I came in there, partly because of the shade and the thirst. I entered the chapel from the side, I was completely alone, I advanced, advanced, suddenly I stopped abruptly, as if I had been called by name, I looked up and he was there, holding out his hand to me. When I found him I began to turn in circles in one direction and in the other, like a moth in the middle of the night.

I don’t know how much time passed, until a man approached me and began to whisper to me like a secret: it is a self-portrait, did you know? When he was young he was set on fire, he lost his left hand, a good part of his vision and the skin on his arms was scorched. That’s why (he extended his finger towards a side door) he portrayed Cervantes there. 

It touches me to imagine Orozco reflecting himself in Cervantes. Creating a constellation to which to belong, spinning his imaginary lineage with which to weave an affective firmament. Cervantes lost his left hand in the war, in his own way, Orozco did too. He spent more than half of his life, somehow, closed in on himself.

He was a man who belonged to the liminal space. He had one hand in the inner world and another in the outer world.

His existence was a fire

[ convection – sama ]

Every initiatic journey begins with the nigredo. Entering the nigredo implies that we will be transformed. To be transformed we must first feed the fire with an aspect of ourselves. 

The mysteries related to re-creating ourselves are the territory of the goddess. In Hindu mythology it is narrated that the goddess Gayatri created herself out of primordial chaos. Gayatri is the consort of the god of creation Brahma, but the source of Brahma’s power is Gayatri herself.

The ancient trackers tell us that it all began with sound. The universe originated from a sharp needle-like buzz (hum!). And from that primal hum sprouted the first word.

Gayatri, Brahma

A few days ago, in the middle of a crossroads, I was intercepted by a female figure that distilled nigredo from her mouth. I remained motionless, as if I was in front of a jaguar. Slowly, I began to look over her body, noticing her arms raised to the sky, her legs like robust roots and the glint of the crescent moon that she traced with her womb. I came closer, closer, until I felt her breath against mine. Only then, she told me her name: Tlazolteotl. 

She belongs to the lineage of telluric goddesses within one of the Mexican cosmogonies. Her influence encompasses divination, yarn-weaving-time, fertility, death and many other territories. But about that story is for another day

Tlazolteotl is a guardian of fire, her mouth is a threshold to the womb of the earth. That is why we find her represented at the door of the Temazcales, a ritual space where we give an aspect of ourselves to the fire.

Both from mythology and science there are multiple stories about the origin of the humming of the earth. I prefer to imagine that this emanation is the product of its perpetual inner combustion.

The incessant fluttering of a bird of fire

The poets say that this hum reverberates in everything that lives. It is the axis on which the earth spins on herself. That sound is the access way to the center of the deep imagination, the center is also the beginning, to feel the center again means to rejoin the song of creation. 

That is the language of the goddess. The only way to tune in to her language is through our body in movement, with dance we imitate the flames of fire, this is how we remember that we are also in combustion. 

Gaia (Gayatri) dances fiercely over herself, in the stillness of her center she guards the hum that sustains the universe. From that imperturbable beginning, we can take some numinous mud with which to create and re-create ourselves incessantly.

Dancing involves using our body as a bridge between the inner world and the outer world. Only through movement we can pass through both dimensions.

Gala Garrido
Mexico City, July 2023.

Img 1. Diary #39, Annotations on the boredom. 2021, Caracas, Venezuela. Gala Garrido.
Img 2. Detail of the central dome of the Hospicio Cabañas, José Clemente Orozco. 2023, Guadalajara, Mexico. Gala Garrido.
Img 3 Detail of Metamorphosis, Jannis Kounellis. 2023, Mexico City, Mexico. Gala Garrido.
Img 4. Detail of the figure of the goddess Tlazolteotl, National Museum of Anthropology. 2023, Mexico City, Mexico. Gala Garrido.

This blog is one of the tentacles of Annotations on the Boredom: a project where I immerse myself in poetic language as a path to mystery. It is an exploration of my intimate transit in search of the beauty, the sublime and the infinite.

If in recent years my Annotations on the Boredom have been with you and contributed to make your life more livable, please consider the possibility of contributing with a donation. Your support allows me to continue advancing with my research.

Another way to support me is by subscribing to my YouTube channel and following my social media pages in the links below.

This blog is one of the tentacles of Annotations on the Boredom: a project where I immerse myself in poetic language as a path to mystery. It is an exploration of my intimate transit in search of the beauty, the sublime and the infinite.

If in recent years my Annotations on the Boredom have been with you and contributed to make your life more livable, please consider the possibility of contributing with a donation. Your support allows me to continue advancing with my research.

Another way to support me is by subscribing to my YouTube channel and following my social media pages in the links below.

This blog is one of the tentacles of Annotations on the Boredom: a project where I immerse myself in poetic language as a path to mystery. It is an exploration of my intimate transit in search of the beauty, the sublime and the infinite.

If in recent years my Annotations on the Boredom have been with you and contributed to make your life more livable, please consider the possibility of contributing with a donation. Your support allows me to continue advancing with my research.

Another way to support me is by subscribing to my YouTube channel and following my social media pages in the links below.